The latest instalment marks a return to form after some recent duds, with all the expected Spielberg-style set pieces and excellent romantic chemistry between the leads
What a comeback. The Jurassic World film series had looked to be pretty much extinct after some increasingly dire dollops of franchise content: Fallen Kingdom in 2018 and Dominion in 2022. But now, against all odds, these dinosaurs have had a brand refresh: a brighter, breezier, funnier, incomparably better acted and better written film, with unashamed nods to the summer smashes of yesteryear, that makes sense of the dino-spectacle moments that earn their place.
Screenwriter David Koepp and director Gareth Edwards have been drafted in to take us back to basics with a new story, all but retconning the drama with a “17 years previously” flashback at the start that entirely (and thankfully) ignores the tiresome convoluted dullness of what has recently happened. Then we’re in the present day, when the existence of dinosaurs in the wild is accepted but they’ve all pretty much died out – except in and around the lush fictional Île Saint Hubert in the Caribbean.
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